Rookwood - a dark musical comedy

Ask the universe for the meaning of life at your peril.

Bryce Jacobs at Abbey Road Studios, London

The Story

Two brothers fight at their father's funeral, setting in motion a surreal and deadly journey.

Synopsis

Rookwood is a darkly comic and surreal musical that reveals the tumultuous story of Tom and his older brother Godfrey as they navigate grief, sibling rivalry, and existential dilemmas in the aftermath of their father's funeral at Rookwood Cemetery.

The story begins as the estranged brothers clash beside their father's grave. Godfrey, hardened and cynical, believes the world is a jungle where only the ruthless survive, while Tom believes life is a school meant for growth, kindness, and learning. Their heated exchange culminates in a fateful, violent encounter, when Godfrey confesses to a dark deed from their shared past and, in a burst of rage, 'murders' his brother.

Godfrey hides Tom's body in their father's coffin, but Tom is not dead. Trapped, lying on his father's corpse, and with limited oxygen, Tom disassociates from his body and confronts a parade of philosophical and spiritual figures drawn from the mourners at the funeral and seen through his imagination. Rawkins, a staunch atheist science teacher, the devout and punitive nuns, his grasping aunt, and the mystical witches, each present radically different visions of truth, suffering, and meaning.

Guided by the enigmatic guru, Yuthumi, and the wisdom of singing trees, Tom wrestles with vengeance, forgiveness, and the measure of a life well-lived. Two lessons emerge: Tom must understand who he is and why he's really trapped. Meanwhile, Godfrey is left to battle the demons of his own creation in a psychological landscape that mirrors his inner turmoil.

As dawn breaks, the gravedigger returns to fill in the grave and Godfrey returns to the scene of the crime, we learn if Tom survived the night, and whether he's learned the lessons that will ultimately set him free.

Download the first four scenes

The script is available on request.

We have theme music!
Song production is underway.

The Authors

Bryce Jacobs

Music

Bryce Jacobs is an Australian composer, music producer, and multi-instrumentalist known for his hybrid approach to screen music, often writing, recording, and performing the core musical elements of his scores himself. His music combines orchestral writing with guitars, electronics, and song-driven production.

Bryce has collaborated with artists such as KT Tunstall and served as orchestral music producer for Five for Fighting on a project with the Ukrainian Orchestra. His credits include: We Are Jeni - a feature-length documentary co-produced by Warner Bros. Discovery U.S. and SBS Australia; Walt Disney Pictures’ Christopher Robin; a Call of Duty trailer through Position Music; 12 Monkeys (S3); Broken, produced by Reese Witherspoon and Bruna Papandrea; the Netflix series Daybreak; writing the songs and score for Bad Karma; the Sundance-featured documentary Drunk, Stoned, Brilliant, Dead: The Story of The National Lampoon; and the indie comedy Random Tropical Paradise, for which he wrote the song, Best Man.

Bryce joined Hans Zimmer’s Remote Control Productions in 2008 and has collaborated closely with Ramin Djawadi on projects including Warner Bros. Clash of the Titans, MGM/UA’s Red Dawn, EA’s Medal of Honor and Need for Speed: Shift 2, and worked closely with Hans on Ron Howard’s RUSH. He has performed on scores including Rango, Pirates of the Caribbean: On Stranger Tides, Puss in Boots, and Oliver Stone’s Savages, while contributing writing, recording and production for artists and composers including Danny Elfman, Five for Fighting, Mark Isham, Steve Jablonsky, and Geoff Zanelli.

Before relocating to Los Angeles, Bryce worked as a session and touring musician in Australia and contributed to films including Happy Feet, Jumper, Gabriel, Australia, and P.S. I Love You, and worked closely with composer and producer Paul Mac on the film Beautiful.

Bryce studied guitar performance at the Sydney Conservatorium of Music before returning to complete a Master’s degree in Composition, and is currently undertaking a Doctorate of Musical Arts.

Bryce lives in Los Angeles, USA.

Bryce Jacobs' website

David Staume

Book and Lyrics

David Staume is an Australian playwright and author. He is a member of the Australian Writers' Guild and Writing NSW, where he co-convenes the Open Genre Writers' Group and mentors writers on story structure, story theme, and character arcs.

David is the author of three published works of creative non-fiction specialising in blending humour, philosophical depth, and engaging storytelling. Two of his works are published through Llewellyn Publishing in the USA and one through Agio Publishing in Canada.

David's goal is to make the profound profoundly entertaining.

In his spare time he runs a web production company, advising, designing and producing websites for small to medium businesses in Australia.

David lives in Sydney, Australia.

Agio author page

Bryce's Music can be found on

“Excellent news! Excellent choice! Picking one of my very favorites ... brilliant musician, human being, guitarist! Well done!”

— Hans Zimmer on Bryce Jacobs stepping in to score '12 Monkeys' (Season 3)

“You had me at singing trees! Congratulations!

Rookwood offers laugh-out-loud fun and an encounter with topics of substance that is bold and engaging and free from earnestness or sentimentality. This draft has a good handle on craft, a solid story instinct, a genuine flare for comedy, and lyrics that can convey complex topics with a fresh witty take while serving to carry the dramatic action forward. The lyrics and madcap characters, particularly in the underworld scenes, keep the musical robust and playful, and play-able (actors would have a ball with this material); this creates a wonderful counterweight to the dark through-line of this story - death, burial, attempted murder, and likely suffocation.

You are well on the way to creating a work on existential themes that is inherently theatrical and accessible to general audiences."

— Donna Abela - Playwright, Dramaturge, Teacher - NIDA, Sydney